Greetings, Legions of the Unspoken!
Ol’ Dean Compton is back, and I do apologize for having been away so long. Life has separated me from the 90’s comics I dearly love and treasure, and it has also separated me from all of you, but that shall happen no more! We hope to be back on track around here in time for early summer, and my portion starts right here with the rather fun (and gory) Jason vs. Leatherface from Topps Comics!
I’ve been obsessed with Jason Voorhees (although not as obsessed as I am with some things) ever since I was about 4 or 5 years old. I don’t recall which Friday the 13th movie it was, but one Saturday morning in the middle of the serenity that only Saturday morning cartoons can bring a youngster, the slasher invaded. This had to be a mistake on the part of the station, but all of a sudden I was seeing a commercial for a Friday The 13th flick! I was so scared that I had nightmares about it later.
Whether this had anything to do with it or not, movies like Friday the 13th and The Texas Chainsaw Massacre were banned in my house growing up. The only Jason stuff that ever made its way into ComptonSpace was the NES game. Ask Emily or anyone who knows me: I am goddamn obsessed with NES Jason and will purchase just about anything to do with him, from NECA figures to Funko customs. For me, that game was Jason, in all of his purple and neon blue glory. Later, as a teenager, I’d be able to watch some Friday the 13th movies, and whole some of them are scary, most are just funny and a blast to watch.
I didn’t have the same affinity for Leatherface. I never got to play the Atari Texas Chainsaw Massacre game, although I am pretty obsessed with it now, to the point of having bought a NECA Atari Leatherface. (I bet you’re starting to think NECA paid me to put them in here, but nah, they just have great stuff. Of course, should they want to sponsor the site, come on, fellas!) I didn’t see Texas Chainsaw Massacre until I was 22. It’s a good movie, but I always sort of thought of Leatherface as the least of the slashers until recently. Thanks to various action figures, I have started to really dig Leatherface, so when I learned of this mini-series, I Just had to see how these two horror icons did against one another.

Published in the waning days of Topps Comics, Jason vs. Leatherface had a very low print run, making it highly desirable these days. From what I can tell from my research (which is done on little sleep and a shoestring budget, so please correct me if I am wrong), this is the only time in any medium that Jason and Leatherface squared off in an “official” manner. That sort of makes it sound like they had some sort of government sanctioned duel. That is decidedly not the case; this is much, much more fun.
Nancy Collins writes a fun story in which Jason is caught up in corporate malfeasance. A corporation has been using Crystal Lake (the perpetual home of Jason’s massacres) to dump toxic waste. They are moving on from the area, and the EPA has confirmed that something must be done about the waste. The CEO decided to just drain and dredge the lake and then use the land to build high-priced development housing. AND THEY SAY JASON VOORHEES IS THE BAD GUY!
Of course, Jason is at the bottom of the lake from the end of one of his last massacres, and he’s just waiting for something or someone to free him.

The man in charge of the dredging makes it clear to all involved that he is not a nice man and that he is there because he works cheap. While they are in the process of dredging the lake, a local arrives and warns them of the danger that is Jason Voorhees, but the contractor laughs it off. Of course, as he is scoffing at the idea that a crazed and unstoppable maniac is at the bottom of the lake, what does his crew pull up with a large crate of toxic dirt? If you guessed anything but Jason, turn in your badge; you’re off the force.
The dirt gets hauled to a train where it takes off for the desert. Joining the dirt on this journey is a hobo and his dog, and being honest, these are the most likeable characters in the entire book. Sadly, Jason kills them rather quickly, and this is the moment that really reminded me that while we all like Jason, we really shouldn’t He murders harmless and defenseless people for no good reason. This hobo offers him some booze, which is like money to hobos in pop culture, and Jason hacks his arm off.
Of course, what will really get to most folks is when Jason hacks the dog right in half.

Jason proceeds to kill everyone on the train. Even without being an engineer, I know a train can’t run without one, and it doesn’t take long before the train, toxic dirt and all, blows up with our favorite maniac walking away from the carnage.

Jason’s train has crashed in Texas. Sawyerville, Texas, to be exact, which just happens to be the home of Leatherface and family. Jason comes upon one of their intended victims trying to escape. The victim implores Jason for assistance, which is sort of like asking a demon for assistance with the devil. Leatherface and family quickly make their way onto the scene, desperate to hold onto their meat. The victim is terrified as Jason and Leatherface make first contact!

Jason and Leatherface square off in a slash clash of terror titans! Jason manages to overpower Leatherface and force the aberration to lose his grip on his famous chainsaw, but then rather than killing Leatherface and his kin, Jason kills their intended victim and then hands Leatherface his chainsaw. Leatherface’s kin introduces himself to Jason as Hitchhiker, and he convinces a confused Jason to join them back at their house for supper. Jason has never felt anything but hate and anger, even at that awesome hobo who just wanted to get him drunk, so the fact that he doesn’t want to kill these people immediately is foreign to him.
He goes along with them, and after being introduced to Cook and the rest of the family, he finds himself feeling a kinship with Leatherface. The rest of the family, especially Hitchhiker, picks on Leatherface the way Jason was picked on. Upon arriving at the house, Hitchhiker immediately makes fun of Leatherface for losing his saw to Jason, which is really not anything to be ashamed of, what with Jason’s super-strength and all. (It’s like a baby losing an arm wrestling match to Hulk Hogan. That’s just how it is gonna go down.) The taunt leads Leatherface to run away to his upstairs bedroom and fling himself on the bed in the way that teenage girls do in sitcoms, although Leatherface has decidedly fewer posters of boy bands and kittens on his walls. (He does have a sweet poster of what seems to be Conan or Franzetta’s Death Dealer above his bed.) Jason’s kinship with Leatherface grows, and he heads upstairs to offer his friendship and understanding. Jason was tormented too, and seeing Leatherface in anguish is reminding Jason of his own torment and somehow making him show empathy and sympathy for another human being.

Cook tells Jason that he is glad that he and Leatherface have started to become pals, and he introduces Jason to the rest of the family. Jason, being mute, reaches back into his memories and finds a way to reveal his name to his new “family”.

The second issue centers around the Texas Chainsaw Massacre family settling in with Jason and Jason settling in with them. Cook opens up to Jason about his desire to one day own a fancy restaurant (that I presume would serve people) while he just rakes in the cash and lives in a doublewide trailer. Hitchhiker shows Jason his dog, which Hitchhiker killed but still keeps on a chain. Hitchhiker doesn’t care for Jason for lots of reasons, including that he has taken up for Leatherface, but it seems to me that what bothers Hitchhiker the most is that Jason doesn’t eat. This scene meanders back and forth between what seems like Hitchhiker trying to get to like Jason and Hitchhiker trying to intimidate Jason. It makes little difference, as Hitchhiker has to head for the gas station where the family makes its income and meat.
A lost couple stops in for gas, and after Hitchhiker makes sure they won’t get far, Hitchhiker and Jason (at Cook’s request and Leatherface’s reluctance) set out to murder the couple when the car breaks down. Hitchhiker loves the game aspect of this, but Jason is just brutally efficient. After choking the wife in the couple to death, Jason gets chastised by Hitchhiker for not taking enough time. Hitchhiker is somehow the most despised character in this book, as his love of sadism means that he wants to hear his victims scream and beg before he kills them.

After returning from what they call “getting groceries,” Hitchhiker decides to show Jason his hobby, which isn’t collecting baseball cards or Pogs, you 90’s kids, but instead, he has this odd fascination with making things out of body parts. I guess that really isn’t too odd, seeing as how he is batshit crazy and a murderous cannibal, but you know for folks like you and me, we’re not so enamored with such things. This fascinates his brother Leatherface, who is hiding among the macabre creations as Jason and Hitchhiker chat. He tries to sit in a bone chair, and when he breaks it, he is discovered. Hitchhiker goes to abuse Leatherface over this transgression, only for Jason to recall his own past as an abused youngster, and he also recalls when his mom cut his dad’s head in two with a machete, leading to a lifelong (and deathlong, I suppose) obsession with murder and violence for Jason. This abuse, though, isn’t a pleasant memory for the Crystal Lake killer, and he decides to step in and spare Leatherface any more abuse.

After Jason’s siding with Leatherface, Hitchhiker gets really mad. Like, 1990’s Nine Inch Nails Mad. He then says he doesn’t care that Jason has taken sides with Leatherface (who Hitchhiker often refers to as a “retard” among other things. In addition to being a homicidal cannibal, Hitchhiker just isn’t very nice.) because Hitchhiker believes he cannot be hurt. He demonstrates this to Jason and Leatherface by driving a pocketknife through his hand without wincing or grimacing. Rather, as would befit the stature of such a madman, he just talked about he is invincible and how nothing can stop him. Jason, never one to turn down a challenge, picks up a sharp piece of bone and decides to find out just how invincible Hitchhiker really is. He picks Hitchhiker up by the throat and goes to stab him, only to be stopped by Leatherface. Out of respect for Leatherface, Jason decides not to murder Hitchhiker.

Hitchhiker thanks Jason by calling him chicken and then letting Leatherface know that he doesn’t care. Things are building to a head between the members of the family that aren’t Leatherface and Jason, and Cook attempts to try and soothe matters by apologizing on behalf of Hitchhiker, but Jason’s newfound patience is just about at an end. The third issue has Hitchhiker getting angry with Leatherface again, this time for reading his comics and leading fingerprints on them. Of course, many comic book fans have felt rage over this, but Hitchhiker lashes out at Leatherface and slices his arm with a pocketknife. I’ve been angry at my family for ruining comic books of mine, but I have never sliced anyone over them.
Jason’s had enough, and he tosses Hitchhiker across the room. Now Hitchhiker has had enough, and despite Cook’s protestations that this conflict not occur at the dinner table, Hitchhiker stabs Jason in the heart with the pocketknife, which has about as much affect on Jason as a BB Gun would have on a tank. Cook defends his brother with a meat cleaver, but no one can now save Cook and Hitchhiker from Jason’s wrath…except Leatherface.

The family is able to overpower Jason due to their numbers and take him out temporarily. Rather than eating him, they dump him in a lake. Jason recovers and makes his way to the surface. Rather than going to kill them, he decides to go home, as he’s had enough of the world outside of Crystal Lake.
This is a fun mini-series. I wish there had been more of Leatherface and Jason actually fighting, but three issues of this was probably a risk at that time anyhow, and to get anymore fighting we’d have needed a fourth issue. Nancy Collins tells a fun tale that actually is much deeper than anything one could have expected with this title, and the covers alone are worth the price of admission. Simon Bisley does a great job.
The worst thing about the series is that it shows us how fun Topps Comics was, publishing everything from this to X-Files to the Kirbyverse (covered here and here, and we also look at another Jason appearance here) with a large number of really good comics that drew from all sorts of source material. It’s a shame that Topps didn’t survive to do sequels to this or to keep their other great titles going. Alas, such is the fate of many a comic book company, especially during the 90’s.
Hope you have had a great time reading about two maniacs trying to kill each other! We’ve got more great stuff around the bend here at The Unspoken Decade, so stick around!!
Greetings, Legions of the Unspoken! It is I, your loyal Symbifan, back with the first installment of my newest article just in time for my birthday! And what better way to celebrate than to share my passion with you, the readers, for the timeless DC classic Justice League: A Midsummer’s Nightmare?! No better way! So, without further ado….
Our tale begins with recent Green Lantern, Kyle Rayner, taking a break from writing/drawing a new page for his assigned comic book project. He seems to be having some difficulty deciding exactly which direction he wants to take with his story. And I mean, who can blame him with a lame character name like….Green Lantern?! Wait! Whaaaaaat?! (Sorry, Family Guy moment!) Anyway, he becomes discouraged and decides to go out for a cup of coffee. While his editor is blowing up his answering machine in his apartment, he meets up with a friendly neighbor lady and talks about his slump. They both enter the coffee shop, purchase their drinks, and say their goodbyes as she leaves for work. It’s a pretty typical day until she shoots off into the air and shapeshifts into a bird to join the hundreds of other flying people milling about their average work days! (Insert
At that moment, another co-worker enters with a gift for Perry, a paperweight. This is when Clark panics as the rock strikes a stunning resemblance to kryptonite! He quickly excuses himself and bolts though the office. As he make his escape, he hears several names spoken in other conversations that seem familiar to him. The readers know them to be the secret identities of some of DC’s other costumed adventurers. As he ponders what this means, we once again cut scene, this time to Wayne Manor.
This scene begins with Bruce Wayne reading the local newspaper and looking rather distressed. His assistant, Lucius Fox, senses his boss’s distress and exclaims that this must be due to the front page story about a bad business deal Wayne Enterprises was recently involved in. Wayne shows little interest in this and shows Lucius the back story about a recent horrific murder in the fair city of Gotham. (Big surprise, right?!) Bruce then orders his assistant to cut a check to make sure the survivor of the crime (A boy named Jason Todd! Cool huh?! I mean, huge fan of the Red Hood right here! There was this one time…..oh yeah, the article! Sorry! So embarrassing…..) want for nothing for the rest of his days. Lucius then remarks that Wayne can’t save everyone that has been a victim of a violent crime. To which Bruce replies in what I’m guessing is his dark and terrifying “Batman voice,” “Yes Lucius. I can.”
I bet you “wonder” who’s next! (See what I did there? I just gave you a clue. Okay. Bad joke. Um….moving on.) We now find ourselves at the Themyscira School for Girls. The students are in the process of playing tug-of-war with a large rope, overseen by Headmistress Diana Prince. As the game begins, one girl pulls so hard that literally all of the other students are thrown as if the weighed no more collectively than a feather! Yes. They have a metahuman in their midst.
The girl, obviously frightened at the large mutated arm that has just replaced her average one, panics and smashes it through a tree! Diana, without thinking, flips through the air and blocks all of the girls from the onslaught of splinters with her bracelets! She then lassos the girl with the rope and forces her to calm down. Afterward, both headmistress and student both recover from the incident, utterly confused.
While this juvenile exchange is taking place, Arthur’s chair is of course empty. He is still within his office. He knows how they feel about him. What a joke he is to them. While deep in thought, he looks out his office window and sees the large groups of environmental protesters. He thinks about how he, in actuality, belongs with them.
That’s when her father scoops her up in his arms with a smile and replies that he only believed in what he could see or touch but that it mattered little to him as long as these “aliens” never interfered with his happy life. (All I can say is, Martians need to invent a little something called….clothes! I mean, the red strap over the chest hardly hides anything! Have some shame, people!)
Meanwhile, we see a purple-haired, yet pixelated (You read that right. Pixelated! As if having purple hair isn’t enough!) man strolls right past what seems to be military guards in a presumably secret compound. He walks between the guards without notice and, in fact, right through the door as if he were a ghostly apparition! He descends the stairs beyond where a male in a helmet resembling a skull and tattered clothing sits. He is strapped to a high-tech chair in heavy restraints. The purple-haired man speaks with a smile to the prisoner about how the appearance of metahumans coming into their power is on the rise. He then asks what the strange captive has to say about this. The trapped man cries out in pain as if in reply.
We then rejoin reporter Clark Kent as he is finding cover during a metahuman battle in the center of Metropolis to record his thoughts into a handheld tape recorder. The carnage is truly epic as the two superpowered gangs tear up the city, putting countless civilians into harm’s way. While the battle reaches its height, a stray energy blast from one of the attackers hits the large golden globe above the Daily Planet building! As the landmark explodes into shrapnel, Clark has a flashback of another time. Of another life. He leaps into action, saving several civilians. The rubble narrowly misses them. An onlooker, seeking to save the hero, starts lifting a piece of the building’s wreckage. He finds no one because Clark has taken to the skies!
(Okay. I’m back and feeling like my old Symbifan self. Continuing on….) His parents, completely unaware of Bruce’s shock, blather on and on about how he should give up his charity, travel the world, and basically enjoy his fortune. It’s then that his mother unknowingly snags her pearl necklace on the statue of a bat-like creature within the study. As she lifts her head, the necklace snaps and pearls fall everywhere. That’s when Bruce Wayne remembers and starts to wake up. He immediately starts looking for the secret entrance into the Bat Cave behind an old father clock. He finds nothing! He then turns and sees the awe-inspiring form of the Man of Steel hovering there in full costume! He tells Wayne to wake up. That he believes in him.
But before Bruce can say much in reply, a group of metahuman looters scale the gate to Wayne Manor, looking for an easy score! They picked the wrong mansion! Superman rushes out and easily dispatches of these young upstarts until one meta, in invisible form, tries to sneak up the Last Son of Krypton.
Before Superman can react however, a Batarang cracks the hoodlum in his see-through skull! The Batman has officially returned! (Time for a “World’s Finest” team-up, y’all!) The two speak seriously on the state of this nightmare of a world. It is decided that if they’re going to triumph this time, there going to need help.












