Tag Archives: Marvek UK

Ghost in the Machine (part 2 of 4)

I have survived. Though I found myself in mortal danger, I live on. After a near-fatal Funko Pop avalanche, I crawled out from beneath the collectible rubble to press on and give you my comprehensive look back at “Death’s Head II” #2 by Marvel Comics. Only light injuries were sustained. (So…..much…..Disney….! I only slightly blame Mrs. Symbifan for her addiction. I have also been advised to tell you that I collect Funkos too and should probably just shut my trap. ) Moving on…..

It is the year 1992 and lightning strikes ominously as the Minion cyborg suddenly appears in a grungy back alley in New York City. Energy crackles from his metallic form as he constructs a deadly weapon out of the liquid metal in his right arm by sheer will. The cyborg is now ready to continue its mission. It will kill and assimilate the mind of one Reed Richards of the Fantastic Four! At that exact moment, Mr. Richards sits in a fancy, French restaurant, awaiting the arrival of his lovely wife, Sue. He looks up as the waiter appears with a phone. Mr. Fantastic takes it with a small thank you and answers. It’s Sue. It seems that she’ll be late for the date as she’s currently being held up at a charity event. He replies for her to take her time as he hangs up, amused. For once, she’s the late party. (For those of you that don’t know, Reed’s a crappy husband. He’d rather invent new technologies than satisfy his wife’s needs. Now, the sexy, aquatic monarch, Namor, wants Sue for his very own. So, emotionally cold but genius husband, or kingly and powerful bad boy. Let’s take a vote. Come on, ladies!)

Reed raised his water glass to his lips to drink, but is interrupted by the sudden appearance of a sexy, redhead dressed in strange garb and toting an enormous gun! She tells him that she’s Dr. Evelyn Necker from the year 2020 and that to live, he must do exactly as she says! Before Richards can question her further, Minion enters the restaurant, tossing staff aside like rag dolls as it advances on his target! Minion fires! But Necker pulls Reed to the floor and returns fire! She connects, stunning the powerful construct momentarily! She then rises to her feet to fire a killing shot! But this opportunity is taken away from her as Mr. Fantastic pulls the rifle from her grasp! He demands she stop firing in such a confined place with civilians present and that they take this fight elsewhere. Begrudgingly, she complies. Minion continuse to open fire as they race out the door! (Well, Necker had Minion dead to rights, but Mr. Goody-two-shoes had to ruin it. And the award for dumbass of the year goes to……) Forcing a cabbie from his vehicle, they get in and race off! But the cyborg won’t be dismissed so easily. It leaps and drops in front of the cab! Richards hits the gas, hitting Minion full force! Seconds pass and Minion rises from the street with a slightly annoyed look.

As the vehicle races through New York traffic, the Minion cyborg follows, running at super velocity! Cracking the pavement beneath its powerful footfall, it nearly catches up! And all the while, it fires blast after blast at the fleeing duo! As Reed tries to out-maneuver the shots, he demands an explanation from Necker. She reveals that it’s out to murder him and then absorb his superior intellect. How does she know this? Because she programmed it! It’s already done so with over one hundred victims, but it’s been acting uncontrollable since killing and absorbing the mind of the robotic Death’s Head. Just then, Minion catches up to the cab! But before it can attack, Richards sideswipes it into a lamppost and it tumbles into a store window! Glass explodes everywhere! The now-damaged cab speeds away! (Damn! Maybe old Reed needs to be taught a lesson by Minion. I mean, look at the mess he’s creating! Move the fight away from innocent bystanders my ass! Superheroes. Am I right?) Back in A.I.M. headquarters in the year 2020, a young man named Spratt, a sometimes-sidekick to Death’s Head, walks through the advanced lab, seemingly undetected as an outsider. He wears the uniform of a lowly A.I.M agent as he pushes Death’s Head’s remains down an empty corridor. As he walks, he vows to bring his friend back, no matter the cost!

Meanwhile, at the Fantastic Four’s base of operations, the Thing passes by a television set and happens to see the news as a frantic reporter recounts the recent events involving Mr. Fantastic, an unknown redheaded woman, and a superpowered attacker! Shocked, the Thing readies himself for action! As this is going on, Sue has finally arrived at the restaurant only to see the carnage! She pleads with the waiter as to her husband’s whereabouts! The man replies nervously about the pretty woman and the robotic assailant. (Ooooooh! Reed’s gonna be in trouble! Hehehe! Sorry. That was very juvenile of me…..He’s gonna get it! Hehehe!) Back to the action! Necker retrieves her firearm only to see that it’s damaged beyond repair. So instead, she throws an explosive at the gaining cyborg to slow it down! But shrapnel hits the taxi’s back tires and gas tank! This sends it spinning as it smokes! Mr. Fantastic wraps his rubber arms around Dr. Necker and rolls from the vehicle just as it explodes! Hearing a gravely voice, both look up to see the Thing sitting upon a hovering vehicle close by! The Thing asks for an explanation. Reed tells the large, rocky behemoth that, in short, the cyborg wants him dead. That’s all that Ben Grimm needed to hear. The Thing slowly approaches the cyborg as it walks towards him, through the flames!

The Thing doesn’t get too close however as Minion blasts him with his cannon arm! The rocky superhero pulls himself back to his feet and takes the cannon in both of his gigantic hands! He then crushes the weapon! Unfazed by this, Minion forms a blade-arm from where the cannon once was! Sensing that this fight might take him longer than expected, Ben orders the other two to take his vehicle and flee. Unsure at first, they finally comply. (That’s right, Mr. Grimm. Maybe this’ll teach you to only refer to people by nicknames for like ever! I’m sorry. I just can’t stand the Thing. How hard is it to remember three other people’s names after all of this damn time I ask you? Sheesh!) The Thing hits the cyborg assassin with two good punches, actually drawing blood! But Minion merely picks up the titan and throws him backwards off of the bridge they’ve been standing on and onto a passing boat far, far below! Minion, now satisfied there will be no more interference, continues searching for it’s prey!

A short time later, back at Mr. Fantastic’s lab, Necker lays Minion’s origins out for the superhero in the hopes that the explanation will help in stopping the killing machine. That’s when it hits him. Yes, Minion was built to assassinate and absorb the skills of several hundred organic hosts, but Death’s Head was mechanical! And if Richards didn’t miss his guess, the Death’s Head personality was inside and fighting for dominance of the cyborg’s mind. This would cause increased hostility and confusion. (Umm. Yes. I surmised this myself. Cough. -Clears throat.- Actually, I had no idea. But I love the pretty colors.) Reed immediately begins work on a device meant to force the robotic bountyhunter’s consciousness into the driver’s seat permanently! Less than an hour passes. The Human Torch comes home from a night out on the city, but is instead met at the door by Minion! Before the Torch can fully power up, he’s knocked out with a strong backhand! Minion enters the Fantastic Four’s HQ with ease! But when it makes it’s way into the lab area, it’s met with an energy burst that stops the cyborg in its tracks! Slowly, after a couple of minutes, it rises again. Only this time, it’s speaking like Death’s Head! The invention was a complete success! Death’s Head walks towards a nearby console and downloads all known knowledge on, Reed Richards, eliminating the need to kill him! He then turns and says his farewells before teleporting away! An annoyed and shocked Dr. Evelyn Necker does the same soon after.

Elsewhere, Spratt awaits a visitor with knowledge that can hopefully help bring his friend back. The man enters the room, announcing himself as Baron Strucker the 5th! He then strikes at poor Spratt, knocking the young man flying. Strucker approaches the remains of Death’s Head’s corpse with delight. He examines it closely and exclaims that with it under his command, A.I.M will pay and his family’s name will be avenged!

To be continued…..

The Marvel UK Invasion Part 1 – Genesis ’92: By Sparky Ryan

Death's Head 2
Death’s Head ||

Hi,my name is Mark (Sparky) Ryan and I’m delighted to have been invited to do this blog post by my good friend  Dean Compton, who like yours truly is a huge fan of comics of the ’90’s variety. This blog is more or less unique in the blogosphere, in its focus.I commend Dean for that.It’s a great blog he’s got here Please visit my own blog http://sparkyslongbox.blogspot.ie/ if you wish, for reviews of individual issues from both Marvel and DC from the start of the Bronze Age, or find us on Facebook at Marvel UK Comics.

What was Genesis ’92?

In 1992 Marvel UK launched a bevy of titles directed at the US market. Many of you reading this, actually probably most, will remember Deaths Head ||. This was probably the most successful title in the line and is still fondly remembered by many on both sides of the Atlantic to this day (Death’s Head || and the other Marvel UK characters returned in Revolutionary War earlier this year).

Marvel UK created many properties or characters in the early 90’s. Some were very good, some mediocre and some were plain atrocious.  Most anyone that has read Marvel comics over the last 20 years or so should be familiar with some or all of these names; Dan Abnett, Andy Lanning, Geoff Senior, Charlie Adlard, Doug Braithwaithe, Simon Furman, Bryan Hitch, Carlos Pacheco, Salvador Larroca, Alan Davis, Gary Frank, Andrew Wildman.  All these gentlemen cut their teeth working for the UK branch of Marvel and have gone on to have varying degrees of success in the US.

A Little Background. ..

Marvel UK have existed since 1972. They were originally created to reprint US Marvel titles in weekly format for UK consumption. These reprints proved popular. They were in a larger format and normally black and white. It was ultimately controlled by the US operation but had UK editors and staff.

Captain Britain

Marvel US had the idea in 1976 to create a character exclusively for the UK market in attempt to ground the line of mags, and give British readers their own superhero. Captain Britain was born.

captainbritain1

Now Cap B was written by Chris Claremont and drawn by Herb Trimpe and later John Buscema. It was very much a US type superhero and the only thing that differentiated him from the US stable of heroes was a perfunctory illustration of London’s Big Ben or Trafalgar Square and some English type expressions that often failed in their attempt at naturalism.

It was a fairly popular strip that eventually faded from the pages of Marvel UK until the early ‘80’s when Alan Moore took over the writing duties, who, aided and abetted by the gifted pencils of Alan Davis gave the character a second lease of life in a classic and much celebrated run.

Captain Britain is still the most popular and important Marvel UK character ever, appearing for many years in the pages of Chris Claremont’s Excalibur, a popular X-title. Except he wasn’t really a Marvel UK created character as he had his origins in the US.

Marvel UK’s first attempts at reaching the US market.

After the Secret Wars 2 and tie-ins dried up for Marvel UK they took the editorial decision to stay away from superheroes due to falling sales and concentrate on profitable licensed products such as the hugely popular Transformers, Thundercats and Action Force/GI Joe.

These mags had a mix of US material and fresh UK originated material that still proves popular with collectors today, particularly fans of the Transformers.

1987 – Death’s Head Appears

In 1987 Simon Furman and Geoff Senior create the first Death’s Head robot, a bounty hunter that kills Transformers. He proves popular with the readership returning several times, even though he had nothing to do with established Transformers continuity in the US. The seed is planted for the UK line.

In 1988, due to his popularity with Transformers readers the Freelance, Peace-keeping Agent/Bounty Hunter gets his own title, yes?. It’s written by Simon Furman and drawn by Bryan Hitch/Mark Farmer. It is in US format with the Marvel US logo and is sold in US comic shops alongside popular US comics of the day. It lasts 12 issues and features appearances from Iron Man 2020 and the Fantastic Four in an attempt to appeal to the US market and also ground the character in the greater Marvel Universe. Although the early issues had no appearances by US characters, the character appeared in Dragon’s Claws,, with the Claws then also appearing in Death’s Head’s book. I honestly believe the first Death’s Head character is superior to the second – but that’s just personal taste.

deaths Head 9

This initial series is a damn good read.

Note: This 12 issue series was re-released in the US in 1992 as ‘The Incomplete Death’s Head’.

1990 – The Knights of Pendragon

Death’s Head and its companion title Dragon’s Claws didn’’t last due to low sales. In 1990 Marvel UK releases the Knights of Pendragon. This was a classy title with tenuous links to Captain Britain that was steeped in Anglo/Arthurian mysticism and environmental concerns. It featured gorgeous artwork by Gary Erskine and featured appearances by several US characters such as Iron Man and the Fantastic Four. It proves popular and again, is sold on the direct market in the US along with a fortnightly glossy magazine called Strip which featured Marshall Law, Death’s Head (again) and a variety of mature European type strips.

Genesis 1992 – The Big Push

By 1992 Marvel UK already looking to expand, were encouraged by the popularity of comics, even the cool kids were reading ‘em in the wake of the million + selling X-Men #1 & X-Force #1 in Summer ’91.

In April 1992 they release an anthology title in the UK called Overkill. It features five strips, Hell’s Angel, Warheads, Knights of Pendragon, Digitek and Motormouth and Killpower.

It was also sold in the US as separate standalone titles. It was a two pronged assault. The UK had a 2000AD type anthology title that didn’t always include the appearances from X-Force or Iron Man and the US editions included this extra material in an attempt to appeal to the US market. Paul Neary, who many US readers will remember from his pencils on Captain America (1985-1986) was the Editor-in-chief at the time and the major driving force behind this publishing initiative.

overkill

These characters didn’t particularly look like regular US superheroes and they battled a Faustian evil conglomerate that was given nefarious powers in the 16th century called Mys-Tech. Hell’s Angel /Shevaughn Haldane(later Dark Angel after a costly legal dispute with the biker club) had part of the universe implanted in her that gave her powers. (yes, really). The strip was nothing special but was anchored by the gorgeous artwork of Geoff Senior, whose dynamic work I could look at all day.

Hells angel

Digitek is a little remembered computer warrior who teamed with Deathlok at one point. It was a little bland at times but featured gorgeous painted artwork by Dermot Power. It was a feast for the eyes. It lasted 4 issues and wasn’t bad at all, however Digitek is very much a hero of his time and is rooted in the technology of the early 90’s.

The Knights of Pendragon, were heroes of Arthurian legend and more of a Saturday morning cartoon. They were bland and uninteresting in my opinion. They teamed up with Iron Man early in their series.  Again, they resembled actual superheroes to a very small degree and had little connection to the earlier, excellent KoP series in terms of flavour or theme.

Warheads were a ragtag group led by the scarfaced Col. Liger who travelled around wormholes (because it seemed hip at the time) and fought against Mys-tech aswell.  The Warheads book wasn’t bad, but far from great. It was a book that had pronounced peaks and troughs. It featured the sublime artwork of Gary Erskine in the early issues and was later drawn by Simon Coleby.

Warheads - Marvel UK
Warheads

Motormouth and Killpower was a pretty good strip with gorgeous art by Gary Frank. Motormouth /Harley Davis was a foul mouthed street rat who cursed constantly and travelled between dimensions. (Notice a trend) fighting against the forces of Mys-tech. Killpower was her simple minded Hulk-like friend. She and Killpower had the distinction of being the only UK characters to appear in a main US book, as Killpower battled with the Incredible Hulk in the pages of his book. (Probably prompted because M & K artist Gary Frank was now the artist on Hulk).

Motormouth!

I was excited as anyone at the time when these strips arrived as I was a Marvel zombie and voraciously consumed any product I could get my hands on.

The big breakthrough was with the appearance of Death’s Head || an upgrade from Death’s Head | who was more technologically advanced and had the same bad-ass, extreme attitude of Cable and his crew, an anti-hero. He was one part Predator, visually and another part the molten metal guy from Terminator 2. The book and character proved an instant hit with both audiences on either side of the Atlantic with his first issue reaching high numbers, largely in part to the Image stylised, yet individual artwork of one Liam Sharp. Death’s Head’s stories were irreverent and full of attitude and black humour. Marvel UK now had a real and tangible hit and a property they could really bank on. It really was the title that anchored the entire line.

Death's Head tackles Wolverine - the guest star king.
Death’s Head tackles Wolverine – the guest star king.

Make sure and come back for part 2, as we take a look at some of the many crossovers and titles that the line spawned as it reached its commercial zenith in ’93.