Tag Archives: Marvel UK

Ghost in the Machine (part 1 of 4)

Greetings, Legions of the Unspoken. Tis I, your loyal narrator, Symbifan. That’s right. I’m back. And boy oh boy, have I been through the emotional ringer since last we spoke. Whew! My father passed away, to state it bluntly. Now, I’m not going to say that the man and I were close, but damn it, we were trying after all these years. Sigh. Anyway, that’s my excuse for my long tardiness in writing this article. I’ve been in a kind of confused haze for way too long. Well, now I’m back and I’m ready to get back to my true passion. That’s right. I’m ready to continue my nude sculptures of Batman. Ha! Anyone that knows me knows that it’d be Superman I’d sculpt in the buff. Jeez! It’s fun to laugh again. Anyway, on to my look back at “Death’s Head II” #1 by Marvel Comics! (Also, if you haven’t heard the guys over at the Unspoken Issues give their expert opinions, I highly recommend you give them a listen! Here’s the link to their podcast on this very storyline: https://youtu.be/lEpAio_wSuM?si=k3xIP0YZlYVTCVc9!)

The robotic bountyhunter, Death’s Head, looked at his surroundings. He was now on a planet called Tyler’s World, within a supposedly impenetrable high-tech base. His target was a male by the name of of Tyler Wilson. Tyler had done well for himself, the hunter mused. This was his planet after all. (I’d get a planet named in tribute to me, but Ultra Sexy World was trademarked already. Damn you, Carrot Top! Always one step ahead of me.) Death’s Head spied a duo of highly armed mercenaries not far from his position. To his dismay, they put up little fight even when they noticed him bearing down on them. Way too easy. Or was it? Several more soldiers surrounded him, attacking fiercely! The robot used his hand-blade to send all of them to their makers and with little effort. Death’s Head did love his work. Three million credits to dispose of someone he wanted to kill anyway? A no-brainer. But as the bountyhunter entered the next room, he finally saw something he wasn’t prepared for. Tyler was strung up in a web of cables! Looming over him was a cyborg that’s tech put his own body to shame! Death’s Head called out for the cyborg to cease it’s attack. This was his prey. Ignoring him, it plunged blades from a weapon/arm into Tyler’s skull! It then stated aloud Tyler’s full name, the number one hundred and three, and that he was now assimilated! Ignoring this, Death’s Head demanded satisfaction for stealing his target! The cyborg looked to him and replied that he had other places to be, but he’d see the bountyhunter again soon. It then teleported away. Death’s Head handled the tracking device in his metallic hand. Sooner than the cyborg thought.

The cyborg arrived within an A.I.M. (Advanced Idea Mechanics) lab in the year 2020. His creator, a redheaded woman by the name of Dr. Evelyn Necker, asked for a status report from the creature. Called Minion, it answered with sarcasm that wasn’t part of her project’s original programming. She was annoyed by this but supposed it was inevitable as the cyborg absorbed parts of it’s targets’ personalities and skills that it found useful to itself. The lab technicians checked Minion out in every way possible, and it prepared to teleport away once again, eager for it’s next kill. Necker did manage to get the name “Death’s Head” from Minion before it disappeared. This mere mention of the robotic bountyhunter caused fear in the usually cold and indifferent doctor for some reason. Dr. Necker called for an emergency meeting of the A.I.M. board of directors immediately. She stated for all of those holographically assembled that she was concerned for the Minion project’s wellbeing as it was growing less and less controllable with every kill and that she required more funding to discover any bugs as this cyborg was created to ensure that A.I.M wasn’t somehow destroyed in the near future. It was to be their ultimate protector. Begrudgingly, the board agreed. (Man, she’s good. I could’ve used her to beg for a higher allowance from my ex-wife. Umm…..I mean…..never mind…..)

It was now the year 2456. The place was the Zeta Reticula quadrant. A rather large, barbarian-like being with a greenish, incectoid hide was demanding knowledge of his future from a bound, pink-skinned female creature! She refused and this was met with a fierce backhand from the monstrous creature! That’s when a robotic voice from behind the two answered for her. His future was to be murdered within minutes at the hands of the Minion cyborg! Minion leapt from his hiding place and attacked immediately! It caused an avalanche of rock with a blast from it’s cannon-arm and turned to the female. And then, it surprisingly freed her. To repay him, she hastily warned him that the alien barbarian wasn’t dead quite yet! And sure enough, he did crawl from underneath the rubble and spring at Minion! A backhand tore half of the flesh from the cyborg’s face and sent him reeling! (Always with the backhand! Anyone else think that this dude’s a space pimp in his spare time? ) But Minion wasn’t beat yet, growing a liquid metal spike in place of his cannon-arm, the cyborg first cut off the beast’s hand! He then followed by impaling him through the chest and then through the mouth! Minion stated that subject one hundred and four was now assimilated. But before he left this desolate scene, the female thanked him. Strangely enough though, she called him Death’s Head! Speaking of Death’s Head, he teleported in seconds later, narrowly missing all of this. But he had a lock on Minion now!

Minion arrived back in the year 2020 with Dr. Necker demanding to check his systems thoroughly. He declined. This angered the good A.I.M. scientist who attempted to order the cyborg into compliance. This verbal fight was interrupted however as Death’s Head crashed through the overhead window! He immediately fired a lazer rifle at Minion’s face as he roared in his hollow-sounding voice about his stolen bounty! As Minion slowly arose, he told the robot to not resist. Confounded, the bountyhunter asked if he was serious. Minion then leapt at him, saying that Death’s Head was in fact his next target! The two tumbled to the ground with a heavy thud! Minion tried to gut Death’s Head with his bladed arm, but the bountyhunter was too fast and used his own blade to impale the cyborg! But Minion did connect next, nearly tearing half of the robot’s head off in one powerful swipe! Minion approached from the rear as Death’s Head tried to recover. Too late. The rest of his head was cut cleanly from his metal neck! Minion wasted no time in absorbing the robot’s skills and traits. That’s when he started to overload! His circuits were on fire! And then, he suddenly stopped. Minion looked to Dr. Necker and told her he was now leaving for his next target. But he spoke as Death’s spoke now, using his expressions! He then teleported away, without another word! Necker turned to a nearby technician and demanded to know the identity of the next name on the cyborg’s hit list. The man replied that he had gone to 1992 to murder Mr. Fantastic of the Fantastic Four! (Was anyone else reminded of Rock em’ Sock em’ Robots during the fight? To the exxxxtreme!)

To be continued…..

Dedicated to the memory of my father, Terry L. Miller. Thanks for buying me this storyline as a kid. It was worth mowing the lawn for after all. Goodbye, Dad.

Death in the Family-The Death’s Head Family Tree

Death's Head II vol 1 1_kindlephoto-303255741You never find out how truly popular you are until you’re dead. At least, that’s what it was like for the time-traveling, cybernetic, bounty hunter called Death’s Head. But, for that to make sense, you have to visit the past (or would that be future?)

3017305-death's_head_(earth-trn234)_from_iron_man_vol_5_9The Death’s Head cyborg was created some time in our near future in the pocket dimension of Styrakos. Originally built to house the consciousness of his creator, Lupex, the mechanized being soon slew his “father” and set up shop as a “freelance peacekeeping agent” for pay (or bounty hunter for those brave enough to call him that!). He went on to create quite a reputation until, as with all things, he finally met his match.

3f75f9a109e9cdd1c450e5e6f7374c9fEnter the Minion cyborg. Minion, created in the year 2020 by the scientist, Dr. Evelyn Necker of A.I.M, was built to destroy a future threat to the universe, Charnel. To do this, Minion was supposed to kill each subject in it’s database and absorb the subject’s abilities/knowledge. It did this successfully until it came into contact with Death’s Head. After a fierce battle, Minion actually defeated the bounty hunter but, when attempting to absorb his traits, accidentally absorbed Death’s Head’s entire personality! The process was so complete in fact, Minion, by all counts and purposes now was Death’s Head! Now with a new, more brutal and sophisticated body, (plus a sexy, female sidekick named Tuck) Death’s Head II went back to business as usual. It wasn’t until two other cyborgs, Death Wreck and Death Metal, appeared on the scene, that the idea of an actual family dynamic was introduced.

DEATH HA JAN94Let’s begin with Death Wreck. A prototype for the Minion cyborg, created with mostly junk, car parts, and a poor homeless wino for the frame, this cyborg was accidentally reactivated by a man searching for Death’s Head II. Dimwitted and with a drinking problem from his previous life, this creature was built for power. Next, would be the Death Metal cyborg. This being was created from living, liquid metal from an alternate timeline. Originally seen as more of a villain type, Death Metal soon got its mind to function properly and became a hero when it truly counted. This cyborg had the ability to create bladed objects or energy-firing weapons anywhere on its body. A true living weapon!

Death_3_Vol_1_1All three of the “Brothers Grim” operated solo for a short time, but came together against the resurfacing threat of Charnel, cooperating as a team (or family?) to defeat him once and for all, saving the universe. Little is known what happened to the “Death’s Head family” after that day. I, personally, would like to think they remained together but, as with even non-cybernetic families, this may not have been the way things turned out in the end. Well, there you have it. One cyborg is destroyed, and a family is born from the ashes. But a family, be it genetic or cybernetic, is still a family nonetheless.ff4f12a1b2901b055548b722b969f83b

The Marvel UK Invasion Part 2 – Zenith and Nadir by Sparky Ryan

My name is Mark (Sparky) Ryan and I was invited by Dean Compton, my good pal, and fellow fan of ’90’s comicdom, to give some of my thoughts and views on the history of the Marvel UK expansion of titles in the early ’90’s.

So with no further ado, welcome back to part 2 of our brief look at the Marvel UK Explosion  of the early ’90’s. In part one we left you with Death’s Head ||’s ascension to the top of the sales charts, scoring a palpable and bankable hit for Marvel UK division, (#1 went into a second printing, such was the demand for the guarantuan killing machine).

A solid foundation of properties had been built and the bedrock existed for further expansion.

All the UK titles featured many guest star appearances by mainstream US heroes. X-Force appeared in Warheads, X-Men in Dark Angel/Death’s Head ||. Iron Man appeared in both Warheads and Knights of Pendragon.

Reed Richards made an appearance in Death’s Head || also, in an entertaining story where Death’s Head was trying to assimilate his genius intellect and was thwarted. Wolverine appeared again and again over the next two years. Venom appeared also in ‘Wild Thing’ in 1993.

Death’s Heath takes a drubbing from the Hulk, art by Geoff Senior.

 

As you can probably guess, these guest appearances were solely to anchor the UK line in the American market and attract US readers to these new properties. As an attempt to ground the UK line and become incorporated into the US line, it was ultimately a failure, for several different reasons.

One major reason was that the US characters were being shoehorned into the story in an inorganic, forced way which often made little sense. Guest stars could turn up at any juncture with little rhyme or reason.

Whatever happened to say, the X-Men or Iron Man in the UK line was never, ever referenced in the characters’ US book which essentially told readers either directly, or subliminally, that anything that happened to the US characters in the M-UK books was inconsequential and ultimately so was the line in the greater Marvel Universe.

Another problem, which connects to the last one, was that so many of the US characters were tied up in the UK characters’ war with the Faustian group Mys-Tech that it further distanced itself from the greater Marvel Universe than say, if both parties did battle with A.I.M or Doctor Doom etc.

Perennial antagonists Mys-Tech.

Mys-Tech was a new creation that even sole readers of the UK books would have had to wait to read more to find out more about them and their motivations. It was clearly a Mys-Take.

This further served to make appearances by US heroes seem inconsequential and unimportant, as the adversaries involved were unknown and little understood by the casual US reader that was trying out these books for the first time to see if they were any good.

Probably the biggest problem, was however that the UK heroes never appeared in the Marvel US comics, and I honestly believe that this was one of the major downfalls of the M-UK line.

In fairness, for the UK team to co-ordinate their efforts with the US editors and writers who would be using the UK characters as guest-stars would have probably caused a major headache for both editorial and writing teams, both of whom were already under the yoke of an increased workload during the explosion of titles during the’92-’93 bubble.

One property proved an exception to the rule. That exception was Motormouth and Killpower, who appeared in the pages of Incredible Hulk #409, in 1993. This incluson may have been prompted by then artist, Gary Frank, who also happened to have been the artist on the Motormouth title.

Hulk #409
Motormouth and Killpower appear in Hulk

 

Mys-Tech Wars

One of the big storylines from the UK branch was the Mys-Tech Wars. This was a four issue limited series that featured a battle between the UK heroes and Fantastic Four, X-Men, the Secret Defenders and a wealth of other US heroes against the clandestine group Mys-Tech (again).

Mys-Tech Wars
Guest stars galore!!

 

It also crossed over into several UK titles. Even with the inclusion of all these heroes, it is very much forgotten on both sides of the Atlantic despite having a reasonable story and some very nice art. It features some smart writing by Andy Lanning and fine artwork by the great Bryan Hitch. Check it out.

Battletide

Battletide is another decent story. It featured a Death’s Head and Killpower (from Motormouth) and almost the entire Marvel Universe. It was silly, but fun. Like a lot of the UK output – it didn’t take itself too seriously. The Geoff Senior (Transformers/Dark Angel) artwork is worth the price of admission alone.

Death's Head vs Killpower.
Death’s Head and Killpower duke it out in ’93…

 

Super Soldiers was a decent title that appeared in mid ’93 and featured a guy who was a product of a UK Super Soldier project a la Steve Rogers, who started his career in the Falklands War and his team. It makes references to Daredevil’s Nuke character, and uses the tried approach of featuring US characters such as USAgent. It’s worth a look.

Super Soldiers
Absolutely gorgeous cover!!

 

Gene Dogs was an attempt at an X-Men type property/knock-off. It ran for a 4 issue limited series. Genetix was another title that debuted in ’93. It was ok.

The direct market imploded in 1994 and the bloated Marvel UK imprint which had appeared so healthy before was now in bad shape and eventually had to close its doors. Several commissioned and completed work remains unpublished including Armageddon Knights. This was a rework of the Knights of Pendragon.  Loose Cannons by Dan Abbnett was another project that never saw the light of day. In 1994 Marvel UK tried a slight re-brand, introducing the Frontier line. It ultimately failed.

It is sad that such an ambitious project by the UK office ended so unceremoniously. They had definitely over expanded their line flooding an already bloated market and experienced diminishing returns. Had editor Paul Neary decided to keep publishing a small group of say, five popular titles they might have enjoyed greater longevity.

To tell you the truth, the larger the line got, the lower the quality of the product reached in my opinion (The UK office were far from unique in this regard in the early ’90’s!). Some of the later stuff like Nikki Doyle:Wild Thing is risible fare, as is Plasmer.

Later Marvel UK mags featured a lot of T & A and big guns perhaps in an attempt to appeal to lowest common denominator, pubescent tastes, or maybe it’s just a reflection of the general (an)aesthetic that was prevalent across the board in comics.

In reality, Death Head || is really the only property remembered well by long time US readers. The Marvel UK characters have returned to Marvel US pages recently in Revolutionary War and it is being reasonably well received.

Be sure and join us on Sparky’s Longbox if you wish to read about some Bronze Age classics!! Or join us on  Marvel UK Comics on Facebook!!!!!