Tag Archives: Starman

The Golden Age #2-A New That Never Was

Hey, Legions of the Unspoken!  I must beg your forgiveness for the absence!  I have just changed jobs, and while I was finishing up at one, I was training at another.  While things ain’t settled just yet, I am attempting drumming up a bit of time to get back to satisfying all the urges I know all of you have built up for more 90’s comics in general, and more Golden Age in particular!

Before I get back to the good stuff, I’d like to encourage y’all to check out the Facebook page!  It’s really starting to take off, so get over there!  I’m able to post a few pics every day, so you won’t be waiting so long for your 90’s comics book fix!

When last we visited The Golden Age, things were starting to look bleak for our beloved Justice Society of America.  And I take no joy in this, kids, but it is going to get worse before it gets better.

Before I delve too far into what happens in issue #2, I want to take a step back and discuss what happened with The Atom in issue #1.  For those of you who may not be aware, The Golden Age Atom started out sans superpowers.  He was just a short guy who was in really good shape who could fight very well.  He adopted The Atom persona and superhero life because he was tired of getting pushed around by bullies larger than him.  Later, via exposure to atomically-powered villains or possibly radiation, he gained super-strength.  Before then, though, he has some issues with feeling inferior, and why wouldn’t he?  Think about it; he was already short, had gotten into the superhero game as an act of inferiority, and then he somehow gets into the JSA, where not only were there regular-sized crimefighters who were even more skilled, e.g. Sandman or Wildcat, but he also standing next to veritable gods such as Green Lantern or The Spectre!  Anyone would feel small, but a man who already felt small would probably feel like an amoeba.

That complex leads The Atom into a dangerous waters during The Golden Age, starting in issue #1…

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Of all the issues that fester inside The Atom, causing a young man’s head to swell, I think it is his youth that ultimately leads him astray.  Doesn’t that same cloud haunt most of our youths?  Remember when we were all headstrong, extreme, and excited?  Remember when all of our dreams were going to come true?  Remember the 90’s, Legions of the Unspoken…Remember the 90’s…

The Atom, unbeknownst to him, is being used.  What he does know is that he again has meaning, he again has purpose, he again is…big.  At least for now, under Tex Thompson’s New America.

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Before we move along, let’s not lose sight of the fact that Robotman is sporting the most grotesque smile this side of Pennywise the Clown that I have ever seen.  If one of us was in this crowd, you know  that we would have noticed that and headed as far away as we could before that facade shattered.  I don’t care if he has man in his name or not, no robot with such a smile can have good intentions.

Robotman and The Atom we know, but who’s that third guy?

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Daniel Dunbar doesn’t know it yet, but he is the key to one of the most heinous plots in superhero history.  I think we’ve all figured out by now that Tex Thompson is much more than he seems, though.

We’ve also figured out that our heroes, no matter how shiny their adventures make them seem, have blotches of gray all over them.   This can make them reprehensible to us, or it make them all the more heroic.  In the case of Jonathan Law, Tarantula, his gray is shattering the respect we had for him, especially as he denigrates and mistreats Liberty Belle, a favorite of many Golden Age fans.  What’s especially poignant, though, isn’t that Law is now dark and “gritty” for the sake of being gritty.  This is a natural evolution of the character.  It makes sense that Law would have a hard time writing after penning a book about the exploits of being a wartime mystery man.  That doesn’t excuse his actions or his spiral into the clutches of alcoholism, but it does make sense.

Starman’s descent into madness appears to have quelled some, also making sense.  As someone of above average intelligence who deals with some mental roadblocks of his own in regards to anxiety and the like, I have my good days and bad days, but after a period of thought, I usually come to terms with whatever fears and mood I am dealing with.  Starman is a genius beyond the genius level, and therefore, he is able to do the same.   Of course, I feel guilty about a lot of things, but exposing the world to an energy that gave folks super powers and gave those without superpowers who fought crime under masks the inclination to do so isn’t one of them.  Johnny Chambers listens on as Starman pours his heart out.

The Golden Age #2 - Page 8“I have the stars” is a line that stands out to me.  I clung to those words tightly during a confused adolescence that was at times bereft of companionship from my peers.  I clung to Ted Knight’s notion here that he could find comfort…not just solace, but COMFORT in the stars the way I had to find comfort in my comic book heroes, wrestlers, and baseball stars when I had no one.

Johnny Quick  Chambers is in that awkward spot where he wants to help a good friend, but he just doesn’t know how.  He also doesn’t want to offend him, but he just thinks this is a crackpot of an idea.  I never understand why superheroes are such skeptics.  Johnny has seen Green Lantern, The Spectre, and many other beings powered beyond belief in hundreds of different ways, but the idea that Starman pulled this radiation to Earth and it resulted in the spawning of crimefighters with and without powers is ridiculous to him.  The Spear of Destiny sounds more ridiculous!  Then again, maybe Johnny is just too much of a realist to believe such a thing.  One way or another, he is trying to do be a good pal, and he is doing a decent job of it.

Daniel Dunbar is trying to find meaning in his life.  In issue #1, his life fell apart, and while you didn’t see it here, I am sure that each member of the Legion of the Unspoken picked a copy!  He faces a big test soon, and he ponders his future the way any young man on what he perceives as the precipice of greatness would.  Of course, his future isn’t what he thinks it shall be…

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The Golden Age beckons us all, and it even beckons those who say that its embrace no longer holds sway over them.  The siren song sounds so sweet that it can even entice the most nobly stalwart of the heroes, especially when combined with the stress of a semi-fascist government inquiry and the resignation of his friends due to the besmirchment of their reputations by said inquiries.  It can even entice Alan Scott, Green Lantern.

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Of course, our heroes are not the only ones having to adapt to a new age.  The villains of The Golden Age are not held in some sort of stasis that enables them to elude the tendrils of societal changes and the grasp of aging.  Sportsmaster is back in the game for noble reasons of his own, even if his admirable catalyst puts him into action  of the criminal variety.

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Green Lantern’s fight against Sportsmaster sans ring is one of those moments when one is reading an epic that doesn’t stand out during the first read, but it gets better and better upon repeated readings.  I just can’t help but feel for Sportsmaster here, engaging in criminal activity in an effort to find his daughter and unable to defeat Alan Scott, even when the Golden Age Green Lantern is bereft of his magic ring.

I understand that these guys, Sportsmaster included, are the bad guys, but every now and then, I simply cannot help but feel sorry for them due to their horrendous Won/Loss records.  Even when victory seems certain for the villains, the valiant heroes conjure a way to find a win.  This time however, thanks to Green Lantern not having his ring and Sportsmaster possessing a gun and a desire to win at any costs, Sportsmaster gets the better of Green Lantern here, although Green Lantern isn’t killed.  I hope Sportsmaster goes on to a happy life with his daughter!

Tex Thompson continues his crusade for an American hero as he and his team conduct their experiment on Daniel Dunbar.  I don’t think I am spoiling anything by saying nothing good can come from this.   I mean, I don’t recall the piece of culture where folks staring at mushroom clouds from bunkers worked out well for anyone.

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That’s right folks, they nuked Daniel Dunbar.  Nuked him.  For most folks other than the Hulk, that would result in death, for Daniel Dunbar it doesn’t seem to…

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So now what I referred to earlier as ominous is now goddamn terrifying.  No one should trust Tex Thompson, no matter how much he waves the flag and spouts off rhetoric that sounds good, one should be able to discern that he is rotten to the very core.  It saddens me how often folks in our reality fall for this nonsense, but it saddens me even more when heroes I admire, such as The Atom and Johnny Thunder, fall victim to the same inanities.

The interaction between The Atom and Johnny Thunder (and Johnny Thunder and everyone) is proof of just how much James Robinson loves and understands these characters.  Johnny Thunder barges in, not thinking of protocol and security, and when he finally sits down with The Atom, The Atom has some harsh words for him.  Of course, perhaps that is because The Atom has come to play the Johnny Thunder role in Tex Thompson’s New Order, as he has been relegated, unappreciated, and perhaps only merely tolerated…

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The Atom’s youth, arrogance, and eagerness are now manifesting in disgruntlement with the administrative bureaucracy he now finds himself utterly enmeshed in, and he finds there is nothing he can do about it.  He’s wrong about one thing, though; it is now Daniel Dunbar getting most of the accolades and glory…

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Dynaman is alive, real, and perhaps we’re all damned, regardless of the bright colors and amazing powers!  His powers seem limitless, although there does some to be a caveat to that…

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The crowds gobble up every word, as they always seem to when they should be questioning the subject most.  That’s life, I suppose, and at least Paul Smith makes something so upsetting to me look so beautiful.

James Robinson also remembers all the heroes you don’t, such as little known Quality Comics hero, Captain Triumph.  No, not the Triumph who appeared during Zero Hour (although don’t worry folks, we are gonna get to Zero Hour and his adventures sooner rather than later!), but an old hero who hadn’t resurfaced in some time when James Robinson resurrected him here!  Of course, James finds a new and believable spin for him, and then Paul Smith does the best job drawing an annoying ghost I have ever ever seen.

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 While Gallant is pestered by a metaphysical annoyance, Paul Kirk is more than annoyed by the killers after him.  Life for Manhunter is constantly being on the run.  The folks willing to off an entire homeless shelter (including the padre who ran it) aren’t going to just up and quit just because they don’t get their quarry the first try.  Their motivation must also be more than cash as well, because it seems unlikely hired killers would be so messy and careless.

What the killers did not count on was Paul Kirk finding some assistance in an unlikely place.  Just as they swoop in for the kill, one of Tex Thompson’s castoffs returns to help.  He doesn’t know it yet, but Bob Daley is about to set events into motion that will keep the most nefarious plot from coming to fruition…and it all starts at what appears to be the most frigid gas station on the planet.

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I think other than the amnesia, we have all felt like Paul Kirk here and yon in our lives.  We have all felt chased and hounded.  We have all felt something gaining on us.  Something just around the corner, and we have all been too afraid to ask for help.  Thankfully for most of us, trained killers weren’t after us, but this is a nice moment to remind us that sometimes the only thing separating our heroes and us is the fact that they are on the printed page, while our pain and fear are not contained within thought bubbles and balloons….

And it would appear from the looks of things, we have much to fear…and so does the JSA…

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Hope you enjoyed this look at The Golden Age #2!  Next week, we have Hex for the Holidays as Emily Scott brings us a look at Jonah Hex:  Two Gun Mojo!  Then be back here for The Golden Age #3!

The Forgotten Son. Starman #0 by Angel Hayes

Sorry for the delay everyone. I was at my best friend’s college graduation and sadly the internet was scarce at best.

Onto the show!!!

Starman #0 Sins of the Father Pt 1 1994

There is something to be said of feeling like an outsider. The desperate longing on others, but always just beyond their notice. The feeling like you are the disappointment, or that there is no longer a reason to try and fit in. We have all felt this one at one time or another. We’ve all felt just like Jack Knight.

 Starman V2 #0 (1994) - Page 1

Nothing says 90’s cool like a bad leather jacket

Starman revels in beautiful colors. A gradient of blues on blues on blues. A grungy blur of shadows. The bright red sigil bursts behind Jack. Breaking up the blues in the most forceful way possible. The only illumination being the sigil and the cosmic rod. Providing illumination in the dark gloomy world we see. Starman’s covers are forever inspiring to me. I see something new into them each time I pursue. The shadow line of a brick, something hidden in the light of the cosmic rod, a extra dark shadow that breaks through the others. The covers are memorizing.

The artwork continues to be lovely and different with just a tad of despair. The grimey bits remind us of a old neighborhood’s side streets. Slight disrepair, but lovely in spite of all the damage, age, and wear.

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It’s like a neon Japanese Empire

 

Enter our backdrop, Opal City. Much like the Opal itself, the city is colorful in spades. Bright colors and lines for the sky a glorious beautiful sunset to behold. The layering of the cityscape giving an amazing texture of crowding and growth like a true urban jungle would.


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He’s like caped Captain Morgan on that statue

David Knight surveys the overgrowth of man known as Opal City. It is his paradise to protect. He revels in his role. The panels here are stunning with heavy vector style propaganda shadows

. We see him as a man however he demands we see him as more. As Starman a savior, a unique entity in the universe. Master of his fate, protector of ours.

The first panel show his connection to man the shadow of himself in the statue. The last panels’ golden background meant to show this saviour as an illuminating figure. The dynamic movement and shadow of his boot preparing for flight makes us gasp as though the wind from the rooftop is in our face as well.

And like a flash of lightning……

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………………

 

and the crash of thunder afterwards.

The savior we have just seen is struck down. The entity known to protect and serve us as citizens is taken in the smallest amount of time we can fathom.

The hard vertical lines and bright block colors of opal city only serve to accentuate the speed at which this disaster takes place. The statue of man behind him reminding us once more that he is just as mortal as you or I.

David Knight, Starman, is no more.

The sins of the father carry unto us much like heraldry on a shield in the 12th century. The opening splash page is of David Knight lifeless form looking tarnished and desecrated. Nothing at all like the illuminated savior from the former page. Death is universal and sadly for Starman his light has gone out.

Let us take a moment and travel back to happier times.

A family moment. Ted Knight, David, and Jack all at home and like most families arguing about siblings taking each others things. This is first glimpse we see of Jack Knight and really….Well….He looks like a higher cheek boned Robert Smith of the cure. A little grungey, a little unwholesome, and obviously the shut out one. Ted sides with David pretty easily over the harmless acts of Jack buying old things off of David.

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Best way to end an argument Ever.

After Ted sides with David in the argument, Jack does what most younger siblings tend to do…which is say how everything you love is stupid. He immediately has a put foot in mouth moment. But not taking the mantle of Starman from Ted and obviously being mostly disinterested in the idea has caused tension. Like not only not wanting to take on the family farm but not caring if it’s turned into an amusement park either. Jack has found his own identity through his love of antiques. He has no problem not being the superhero.

He is a goth kid on Easter Sunday. Why go to church anyway? They don’t want him.

There’s some really alienating artwork here. With Ted and David illuminated in opposite negative to positive colors to Jack also the facial portraits of Ted and David panel to panel showing the same hard shadow lines the same small chin and angular cheeks. Father to Song always. Jack’s portraits are always from the side or  3/4 view here. Never directly like his family. He is a glimpse of humanity in a family who is a savior to it.

After this fallout we follow Jack into Opal city. His Mundane day of picking up dry cleaning and talking to his roommate with the gorgeous backdrop of the bright almost deco style design of the city is beautiful. The old styling the continual pattern of disrepair but full of charm seeps through. Like a hometown that kept growing, but when you return for a visit you cannot stand anything that was not there before.

At the end of his day he finds an antique shop to visit.

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The only labeled antique is from Penn State…What?

Jack is a nostalgic soul. I can relate. The smell of old books, the weathered but strong feeling of a handmade blanket, that pictures of long lost families where now the frame is worth more than the memory; the melancholy of a thrift store knows no bounds. Jack finds peace amongst the relics. They are kind of expatriate to the world around them. From it, but never in sync with it. Similar to how he fits in at home.

 

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The color shift from the first to the second page is brought to you with no extra charge by hallucinogens.

The reality of what happened before returns. David Knight is dead. Ted calls Jack and tells him the details that he knows suspicious all the while. The portraits change to show Ted and Jack in a similar light due to the grief they currently share.

The color saturation disperses in the last panel as Jack is left alone. The grief washes out all the light in his world.

Meanwhile, Ted’s colors go to focus the negative to positive ratio switch like earlier when they were aside from Jack. The focusing neon makes for a tense feeling. We watch the color recede and flood his viewpoint from tense to sad to regret. The feeling of dread that happens after they all mix.

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Must have been a Pinto.

The colors from the former page swirl magnificently with danger on the wind. The explosion pulls all the neurosis from the form page into one large shadowy act. We can see that the explosion wasn’t enough and Ted is also shot. The onlooker confirming the action. Her face covered shadows.

We are then drawn back into Jack’s orbit. He’s lamenting on his emotions involving his brother. Wondering if that fact that he doesn’t feel terrible about his brother’s passing makes him horrible.

A strange man enters his shop dressed like a perfect middle ground between a matrix and a blade villain. He asks Jack about various antiques he might sell, but when Jack begins to tell him where to find these things the man cuts him off repeatedly.

Something is wrong. The man begins to ask about weapons. Then declares he killed Starman earlier that evening.

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 Why does his gun sometimes shoot fire? PKOW!

The color of violence floods the page. When the shooting stops via Jack hitting the man with a body blow the red fades and the panel turns blue. It is neutralized for now.

Jack manages to run but not before taking a hit to the leg. He is searching desperately for the package his father left years ago containing a belt and a Star Rod. Knowing the one thing he has denied is currently the only salvation he can find.

Like a slap to the face his attacker makes it to the belt first. The gods of fate do smile somewhat for Jack Knight however. The attacker throws a grenade after Jack disappears into the fire. Little did he know Jack was looking for his salvation in this baptism of fire.

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 AVENGE THE SNOW DOMES

Jack finds the Star rod. He greieves for the relics of the past. The ones whom shared in his loneliness. Their existence always a comfort letting him know it’s not just people who are ostracized. These valuable relics showing him that he himself is valuable just maybe not to everyone. He refuses to die not knowing why all these events are happening.

Why now? Why to him. Can’t die not knowing.

Cut to the bad guys like it’s a Thundercats episode.

We see the onlooker of Ted’s car explosion and the Blade villian wannabe. Looking like a goth high school reunion. A currently unseen instructor asking if their assigned tasks are complete. They confirm that the sons of Ted Knight have perished, and Ted Knight himself is in the hospital. He shows himself excited at the prospect of Ted Knight’s life being living torment rather than just death.

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This is what it looks like when the Crypt Keeper has a drink.

Cut to our dearest disabled Jack Knight. He shambles through the street trying to make sense of the days events in his mind. His body battered. His mental strength strained. He pulls himself onward.

Wondering what happened. Where should he go? He’s not Starman. What can he do?

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I really really want a Munsters View Master now.

To his father’s side, the forgotten son forges on.

 

Hope you’ve enjoyed this journey with me.

Starman meant a lot to me when I was young. I used to go and take the issues from my brother’s room when he was out. Rereading them and letting the colors soak in. I had never seen anything like them. I still don’t feel like I have. Jack’s desire to get along with his family, but knowing he’s fundamentally different from them struck a chord with me as well. I just wanted him to find something to believe in. Something we could both believe in. Find our place no matter where it might be.

Well, I figured if I could believe in Jack maybe he could believe in me too. To find that moral compass, that sanctuary to be yourself, that salvation…the understanding that I could save myself.

So for now, Goodnight Mr. Knight.

Until we meet again,

Angel Hayes