Tag Archives: 90s DC

SBTU Presents: 5 Batmen, 1 Superman, ZERO HOUR!

Hello there, Legions of the Unspoken!  Dean Compton here, and I sure hope all of you enjoyed the Robocop vs. Terminator goodness Emily Scott brought you earlier this week as the Super Blog Team-Up is underway once more!  Our theme this time is Parallel World and Alternate Realities, and I had lots of great stuff to choose from in the 90’s.  I could have gone with numerous What If’s, several Elseworlds, Heroes Reborn, or even the Image/Valiant Deathmate crossover!

But only one event really destroyed everything in the 90’s and rebuilt it.  Only one event had the grandeur and scope that deserves to be presented alongside the luminaries of the Super-Blog Team-Up, and that’s Zero Hour.

I recall being insanely excited for this series as a teenager in the 90’s.  My older comic book pals had discussed the Crisis on Infinite Earths, the last time prior to Zero Hour that a superhero universe had been shaken up, destroyed, and rebuilt in its entirety.  To say I couldn’t wait would be tantamount to saying that the core of a nuclear reactor is sort of hot.  I bought in hook, line, and sinker to every aspect of the event, from the white-out erasure of reality to the fact that the mini-series itself counted down to #0, all the way to DC putting out all “Zero Issues” the month that Zero Hour finished, which meant, Flash #0, Superman #0, Batman:  Shadow of the Bat #0, and so on.

The plan for this month was for me to do the entirety of Zero Hour, culminating in this week’s release – and perhaps that happened in an alternate reality, but alas, in this reality, my oldest nemesis LIFE got in the way, and so this is the only article you are getting from me this month.  But hey, at least it is a Super-Blog Team-Up article, right?

Zero Hour wasn’t just a mini-series, of course.  It crossed over into nearly every single DC superhero title that exists, with varying results.  While some of them were very awesome, like Superman:  The Man Of Steel #37 (hey, that just happens to be the comic book I am covering here!  How about that?), some were awful.  For instance, Outsiders #11 might be the worst comic book I have ever read.

If you see this comic, act calm.  Back away slowly and leave.  As soon as you are in a safe location, alert the proper authorities.
If you see this comic, act calm. Back away slowly and leave. As soon as you are in a safe location, alert the proper authorities.

Unless you are into comic books to see some weird vampires in some weird bondage gear acting like Vampirella-lite, this just is not the comic book for you.  Oh, that’s why you’re here?  All right, one more look:

030 The Outsiders V2 #11 - Page 6
The lady who is shamelessly licking blood off her hands like all of a sudden this a YouPorn video is Looker. She’s one of the good guys. Really.

That comic is so awful that it is getting its own entry one day, and I say that as a guy who LOVES The Outsiders.  I will have to take a look at the entire series, with a special focus on this issue.  That day is not today, though, as today is for what i consider to be the apex of Zero Hour, Superman:  The Man of Steel #37.

As I stated earlier, Zero Hour crossed over into seemingly every DC superhero title.  Even outlying titles such as Anima got involved, since hey, if the universe is being destroyed, how could everyone not be involved, right?  And if the universe is indeed being decimated, none could be more involved than Superman.  In fact, he gets involved before he really understands what is happening, as he is busy trying to protect a benefit concert being held to help rebuild Metropolis.

That’s right, I said rebuild Metropolis.  Thanks to Lex Luthor, it lies in ruins right now, so they are having a big benefit concert.  It seems sort of crass to me to hold the concert in the area that has been decimated.  I mean, these are the folks that need the help, so I assume they do not have the cash to attend some giant outdoor festival.  We didn’t hold the big USA for Africa concerts in Ethiopia, and if we had, people would have called us insensitive jerkbitches.  And they’d be right.

Stop being so ungrateful and pay up kids; we are doing this for you.

 As it is, though, Metopolis marches to the beat of its own drummer, and Superman has to pay the drummer, even if he did not call the tune.  Also, the promoter of the concert is apparently one of Lois Lane’s exes, and he has no qualms about blatantly scamming on Clark’s squirrel right in front of him.  It makes you wonder whose comic book is this anyhow?

Normally I would jump to Clark's defense here, but to be honest, he does look like a yuppie with that hair.  Do people still say yuppie?  Is that still a thing?
Normally I would jump to Clark’s defense here, but to be honest, he does look like a yuppie with that hair. Do people still say yuppie? Is that still a thing?

I also have to admit that Clark is sort of being a buzzkill there.  In fact, he is easily the most uncool guy to ever have long hair.  His arguments are silly for two reasons, #1 is that concerts attract “an unlawful element” even in the best of circumstances, and #2, YOU’RE SUPERMAN.  Can’t you handle some pot sellers and pickpockets?  With a lack of self-belief like that, it’s no wonder Metropolis got destroyed on Superman’s watch.

However, Superman has little time to reflect on this dude trying to make him look bad in front of Lois, the evil of pickpockets, or the state of Metropolis, as he is being signaled in one of the oldest ways possible.

018 Superman The Man of Steel #37 - Page 24 really page 2
Basically, you need to learn Morse Code in case Batman attempts to signal you.

This Batman, however, isn’t the Batman that this Superman knows…

The combination of Batman's gesture there with him accusing Superman of "going hippie" is basically the reason I started reading comic books.
The combination of Batman’s gesture there with him accusing Superman of “going hippie” is basically the reason I started reading comic books.

Yep, this is just after Batman lost a “loser gets his back broken” match to every Bat-fan’s favorite masked wrestler, Bane, but this Batman does not recall such an event!  He is very concerned about Superman’s stance on free love, LBJ, and Abbie Hoffman, however.  There’s nothing wrong with that, as I am very concerned about these things as well, albeit in the opposite direction of Bat-Nixon, here.  I want Superman to be more hippie and more of a peacenik, so he doesn’t fry all of us with his heat vision.  Bat-Nixon is probably more concerned that Superman doesn’t help out Chile’s Allende.  (Look it up, folks!)

Superman could probably deal with this Batman and get to the bottom of whatever is going on.  The problem is that not only is this not the only Batman that Superman will have to deal with, but the Batman that comes next makes Bat-Nixon look like Bat-Jimmy Carter.

It's not the Batman that Superman needs; it's the Batman Superman deserves.
It’s not the Batman that Superman needs; it’s the Batman Superman deserves.
Actually, Morse Code seemed to work faster than violence.  The World's Greatest Detective has lost a step in his old age.
Actually, Morse Code seemed to work faster than violence. The World’s Greatest Detective has lost a step in his old age.

Yep, that’s The Batman from the Dark Knight Returns,  Or is that “The Goddamned Batman”?  I am unsure what is en vogue as far as making fun of Frank Miller’s Batman on the internet these days.  I mean, I know we are supposed to do it, but I am scared that mixing stuff from All-Star Batman and TDKR is not allowed.  I know that when S:TMOS #37 came out, this appearance excited me greatly.  I was a huge TDKR fan at this time.  Now, I see it as a thinly veiled argument for fascism.  It saddens me that so many folks see Batman in such a fashion, but not as much as it saddens me that I used to enjoy this take on Batman.  Oh well, youth is wasted on the young, I suppose.

The TDKR Batman is quicker on the uptake than his “violence attraction” plan earlier, as he figures out something that is sort of a nightmare to anyone.  Of course, seeing as how he considers himself a living nightmare, he shrugs off the existential nightmare of BEING OUT OF PLACE IN REALITY.  Caps for emphasis, folks.

018 Superman The Man of Steel #37 - Page 7
TDKR Batman faces the fact that he is not of the true reality with a grimace.

This comic is going well, but it could be better.  How, you ask?  MORE BATMEN.

018 Superman The Man of Steel #37 - Page 8
I enjoy how Golden Age Batman’s word balloons are all shaky, as though it was hard for people to speak in the late 1930’s. Also, did you catch where he insulted Superman there? What is the Superman of his age up to? Skulking with rats in the shadows, it would seem.

So now that Golden Age Batman has cut down Superman and all the various Batmen are starting to figure out that they are a part of this anomaly, we have to get back to business.  Namely, protecting this concert that Superman is somehow incapable of dealing with due to the “unlawful element” that will gather at this concert.  This leads to an awesome superhero posedown, one that I cannot help but think would distract a lot of attention away from the concert.

018 Superman The Man of Steel #37 - Page 10
I feel like saying “if it’s too loud, it’s too old” is both very funny and very hurtful to Golden Age Batman. Also, what good is super-hearing if loud music blocks it out? Does that mean that Superman can’t hear during rush hour in Metropolis?

For it being Superman’s comic, they sort of make him look bad sometimes.  For instance, one of the things we always associate with Superman is being “faster than a speeding bullet”.  That seems like an unbreakable axiom, especially in The Man of Steel’s own title.  The music of the concert though, forces Superman to be so far behind a speeding bullet, the only comparison would be how far behind you I’d finish in Mario Kart.  I ain’t very good, folks.  No matter who you are, you’re better than me.  Sort of how this normal thug was for one fleeting moment, better than Superman…

018 Superman The Man of Steel #37 - Page 11
With lyrics like those, I understand why he felt the need to shoot her.

The “unlawful element” that is attacking this concert happens to be the mutants from TDKR!  If there’s any element of TDKR that stands the test of time, it has to be the mutants.  They have a cool look, they have an enormous leader, and they have an amazing super tank that even gives Batman issues when he tries to stop it.

018 Superman The Man of Steel #37 - Page 12 018 Superman The Man of Steel #37 - Page 13 018 Superman The Man of Steel #37 - Page 14

Well, I guess I owe Superman an apology, as a decidedly unlawful element showed up here for this concert, although I doubt he thought MUTANTS FROM THE FUTURE would be the cadre of the “unlawful element,” but one way or another, the concert promoters brought this on the poor unsuspecting people of Metropolis.

With the day saved, the concert can conclude, and we are told that most of the people at this concert thought that the tank and the battle between Batman, Inc. and Superman were just a part of the concert’s special effects.  I’d say that is a lame excuse, but then again, these people do not seem to realize that the singer of this concert is a vampire, so I suppose I can just chalk this one up to the people of Metropolis being sort of dense and slow to notice things.

018 Superman The Man of Steel #37 - Page 16
Despite being a vampire, this lady has the snobby and elitist Rock ‘N Roll icon thing down. It’s important to pass these sentiments down, so I am glad to see that young lady learning.

018 Superman The Man of Steel #37 - Page 15

But what to do about all these Batmen?  How will they all fit in?  This is an important question, as Batman signalling Superman is sort of the start of Zero Hour.  We can’t be having all these Batmen hanging about messing that up.

So what if they all just disappeared?

018 Superman The Man of Steel #37 - Page 17
If you don’t laugh when you see TDKR Batman changing into happy-go-lucky Batman, you are a Terminator of some sort, so please self-destruct.
018 Superman The Man of Steel #37 - Page 18
Oh, yeah, our Batman wants to play as well.

So with the extraneous Batmen are gone, the one true Superman now races to meet the one true Batman!  And…Metron?  Why not?  How could one have a cataclysmic cosmic convergence without the New Gods?  How could one have this meeting without Batman and Superman getting together after the worst year of their lives?  How could that not be mentioned?

018 Superman The Man of Steel #37 - Page 20
So the “real” Batman is the last Batman to get in on this cosmic crisis? Once again, what makes him the World’s Greatest Detective?

Just for fun, here’s the rendition of this scene from the Zero Hour mini-series…

019 Zero Hour #4 - Page 15
It’s like deja vu all over again!

I have been hard on Batman here, but to be honest, I love this issue.  This is the epitome of what you can do with an individual story within a larger event.  The creators have a lot of fun and stretch the limits of alternity, but they do a great job staying true to Superman even as his life is going topsy turvy due to dudes trying to take his lady, the “lawless element” that permeates every concert, Metropolis being devastated, and of course, Batmen.  So many Batmen.

I also find that Jon Bogdanove’s Superman is extremely underrated, and Louise Simonson does a terrific job with the different Batmen and how they act and interact with Superman and each other.  This issue shows us that that not only is there more than one take on Batman, but that they are all quite valid and entertaining.  I’d like to see more of these Batmen, even Golden Age Batman and his warbly word balloons!

I hope you enjoyed this look at Superman:  TMOS #37!  I will take a closer look at Zero Hour in March, and I am sorry I didn’t get to it this month.  We’re declaring next month here at The Unspoken Decade to be INDY FEBRUARY as we look at Indy comics and publishers!  There’ll be Ultraverse (and a special crossover between this blog and The Ultraverse Network!), Satan’s Six, Neil Gaiman’s Mr. Hero, and Alan Moore’s WildC.A.T.S. and maybe a special entry or two!

I also hope you enjoyed this entry as part of the Super-Blog Team-Up!  Now that you have read this bad boy, hop on over to the other sites participating!  They’re all great!

Amazing Spider-Talk / Chasing Amazing / Superior Spider-Talk

Spider-Man Reign

Superior Spider-Talk

Between The Pages

A Tale Of Two Cities On The Edge Of Forever

Bronze Age Babies

Things Are a Little Different Around Here…

Firestorm Fan

Firestorm on Infinite Earths — Countdown Arena

Flodo’s Page

An Earth-1 / Earth-2 Team-Up Featuring Green Lantern

In My Not So Humble Opinion

The Many Worlds of Tesla Strong

The Legion of Super-Bloggers

Star Trek/Legion of Super-Heroes

Longbox Graveyard

X-Men #141 & 142: Days of Future Past

The Marvel Super Heroes Podcast (i.e. part of Rolled Spine Podcast)

Epic Comics’ Doctor Zero

Mystery Vlog

Marvel & DC’s Secret Crossover: Avengers #85–86 (1st Squadron Supreme)

Superhero Satellite

Marvel Comics’ Star Comics Line

Ultraverse Network

Parallel Worlds: The Ultraverse Before and After Black September

HITMAN – TO ALL THE BOYS AT NOONAN’S by Darry Weight

“Come on, a giant space monster ate the sun last year. People get used to stuff.”

Not sure why I start each article with a quote but there are worse places to steal an idea from than The Wire. This time around the words of wisdom are those of your hero and mine, Tommy Monaghan.

Hitman by Garth Ennis and John McCrea ran from 1996 through 2001 with the title character having appeared a few years earlier during Bloodlines. If you are not familiar with that particular crossover please do not Google it. It is not worth it.

The finest use of superpower ever.
The finest use of superpower ever.

Tommy is a stranger in a strange land. He is a hired killer with a heart o’ gold living and operating in Gotham City, but that is not the strange part. The strange is that Hitman was a DC comic with 60+ issues and no “Vertigo” banner. It was set in the same world as each and every bit of ridiculousness (see the opening quote about The Final Night) that accompanies superhero comics but it was never really a superhero comic.

Tommy has superpowers, though half the stories (thankfully all collected, and you can Google them) do not feature them. I am pretty sure Ennis had given up on them by the time Superman actually makes an appearance in the Eisner award winning issue #34 (dollar bins were created by whatever higher power you believe in just so you can get this issue cheap). He does not have a secret identity and the extent of his costume is the green trench coat. In any other story he would be the guy a member of the Bat-Family beats down for information or name-dropped by Matches Malone.

What Tommy’s adventures did that few other superhero comics do, or superhero stories regardless of medium accomplish, was to reinstate that sense of scope. When something is described as awesome does it really fill with awe? Maybe, but when Tommy and his sidekick/partner, Natt the Hat, are sent back in time to inadvertently hunt the dinosaurs the first thing the reader is shown is the character struck dumb by how magnificent the beast before him is. Time travel is a bit of a trope, but I cannot think of the last time a character acknowledged the limitless potential and wonder of their world.

Yes, that is a dog-eared corner. That's how often this gets read.
Yes, that is a dog-eared corner. That’s how often this gets read.

This used to be the Marvel Method. Throw someone the reader feels as if they know into “The Unknown” and see what shenanigans are had. It is still around today, but for me this is where it was done best. Tommy’s not in the Justice League (though either Grant Morrison or Howard Porter were fans because he makes a blink-and-you’ll-miss-it-wait-that-analogy-does-not-work-in-print appearance in JLA during a membership drive) and he is not likely to fight the Crime Syndicate should they come calling. He does live in a world where those things happen, and he never lets the reader forget that. Tommy also does not occupy a space that says superpower is necessarily a good thing. His ever present sunglasses are not because he is a Scott Summers-ian level prick but rather because his seldom used X-Ray vision has blacked-out his eyes and he does not want to scare off the ladies (which makes Tommy the only gunslinger in Gotham to not openly flaunt his horrible, supernatural disfigurement). He also has a bit of that old staple of 90s comics, Generic Psychic Powers. They tend to give him a headache so if you need him to use them he may tell you “not tonight.”

Fantastic Four, the book that began the Marvel Age, is being canceled and, across the street, the Legion of Superheroes is nowhere to be found. Both are the kind of heady, science fiction adventures that seem to have no place in today’s market. Outer space? Different dimensions? Lost kingdoms? No, thank you. Kids from a semi-utopian future who have conquered time travel? Nah, man, our future is gonna be filled with zombies. Or melting ice caps. Maybe we have just lost perspective and maybe our imaginations cannot function without it. The sharp, beautiful light of New Ideas planting themselves in our mind, amid the collection of fears and uncertainties, expanding what we “know we knew.” If Tommy had been dragged to the Negative Zone he would have found a bar, something familiar amid the weirdness. Maybe inadvertently inciting open revolt against some Generic Threat, if the beer had been warm, but he would never have thought of any of this as commonplace.

I wish John McCrea had drawn this issue, but look! Aztek!
I wish John McCrea had drawn this issue, but look! Aztek!

If you are lucky you may have had a friend try and push the series on you. They may have mentioned the bits everyone remembers: Six Pack, the hero whose power comes from alcoholism, and his team Section Either (with Dogwelder and Bueno Excellente as members), the few issues Tommy and his drinking buddies get stuck in the Gotham Aquarium during a George Romero style outbreak, and of course the time Tommy vomited on the Hero Gotham Deserves. Those made this book the Wizard pick of the month! Tommy never forgets that he lives and operates in the DCU even if he is not at the center of the larger action. Tommy’s Heroes were never afraid to call the Powers That Be on their nonsense and point out how the people the world is being saved for might view the goings-on. His adventures are most often what would happen if someone on the sidelines got pulled into the action.

Maybe you have not had anyone recommend this to you. Maybe you also read Future’s End, in which case, I am sorry but there is no treatment that has proven effective. Reading Hitman a decade and a half after it came to a satisfying conclusion shows how far away from good today’s stories can be. The spectacle of interconnectivity has always been the type of go-to cross promotion that superhero comics rely on. Lately both major companies’ narratives seem to be moving frantically toward a deep, dark center that nothing, certainly not compelling character driven stories, can escape. Maybe the singularity births a Brave New World of something we have not seen before but most likely there will just be Movies and TV Shows and nothing of the four color comics we all know and love (well everyone except Rick Remender – that boy seems to have issues and he is taking them out on the poor intellectual properties whose care has been temporarily entrusted to him).

Tommy may have begun life as a supporting character in The Demon (making him closer to being an actual Jack Kirby creation than any of the King’s older titles Dan DiDio keeps headlining), but his stories are mostly about a few guys sitting around drinking. Characters are often drawn lighting cigarettes and one tight little panel follows another to tell stories and deliver dialogue. When there are double-page spreads or splash pages in general there is purpose and meaning that carries the added weight from being used sparingly. My personal favorite story is The Old Dog. I will not spoil it here but the violent, revenge-fueled ending comes in between panels and feels as satisfying as any interplanetary brawl that the Avengers or Justice League have to deal with. What good is this to you? You do not know me (though “I am Baytor” if anyone asks). What is the appeal of being told how good this book was and is and will continue to be if you cannot be shown all the fun little details?

Because when you have read this book you do not forget it. Ever. Through the good, the bad, and the downright heartbreaking. When I speak to a comic fan there is no doubt whether or not they have read Hitman because if they have then we are old friends suddenly reminiscing about all the time spent at Noonan’s Sleazy Bar. If they have not then they have no idea what I am talking about which means that there is still time.

Hitman04
What I think of when someone mentions “Red Wedding.”

The Hero Gotham Does Not Need Right Now never got around to arresting Tommy, no matter how much of Gotham got wrecked. A lesser man would accuse Master Bruce of playing the social status card and never wanting to come down to “The Cauldron,” but I am sure he just had too other things to do (such as all those parent teacher conferences he must attend). If you have ever read a Daredevil comic you know about Hell’s Kitchen. Same idea, different Dark Avenger. Ennis made Tommy’s neighborhood the Worst Part of the Worst City in the World with the twist being that all the lowlifes drank at the same bar and understood how the world worked, “idiots in underwear” and all. The general consensus being that no one thought too highly of “The Justice Club.”

Except for Superman.

You might not be able to tell from the way DC has been treating him lately, but there was a time when Superman really was the one who inspired everyone else to get it together and help their neighbor. He is the New Testament Messiah as envisioned by two Jewish kids regardless of what Zack Snyder has him doing on screen. I mentioned above Ennis, McCrea, and company winning for Best Single Issue at the height of their run. In the days before Brian Michael Bendis, the issue features two guys talking, albeit on a rooftop, and it is the entirety of superhero comics in microcosm. “As above, so below.” When Disney and Time Warner start selling off parts for scrap, the last big crossover is going to be a retelling of Tommy shooting a piece of human garbage through a window with a rifle.

Tommy once claimed that he wanted to corner the market on killing superhumans. That was how he would distinguish himself. He took out the classic 90s anti-hero Nightfist (“He Will Hit You With His Fist!”) and kneecapped the Mad Hatter but he never “put his gun on anyone not in the Game” (to continue the trend mentioned in the opening). Though raised in part by a nun, Tommy does not get his moral code from the good lord, at least not that one. As he tells Superman on the rooftop of a Gotham dive (and the reason he is there is a better World’s Finest team up than anything written by Jeph Loeb), “You can’t help what people are gonna believe about you.” Tommy follows this a few years later at their next meeting with “[and] I guess you can’t help who’s gonna believe in you either.” Tommy is proof that Superman makes his world better. Superman’s lip-service about it being a better place may fall of deaf ears to us here on Earth-33 (though this was before Flashpoint so it may be Earth-Pri… dammit, I stopped caring) but to the people who actually live in the DCU, it makes all the difference. Anyone in the DCU is “One Bad Day” away from being a supervillain, but Tommy, what with his propensity for violence and superpowers, would have been a card-carrying member of the Secret Society (they’re a union, right?) if not for having already seen how the world can be made into a better place: help your fellow man when they are in need.

If you can read this and still think that "Injustice" makes sense then you may have missed something.
If you read this and still think “Injustice” makes sense then you may have missed something.

Normally this is where a story loses me except this time it was delivered by the same author who later had a Superman analogue beaten to death by a crowbar in The Boys and did downright awful things to pretty much every member of the Justice League in The Pro. Garth Ennis is not known for his steadfast devotion to superheroes. As far as I can tell, he considers them to be silly. So why does the Original Superhero get so much respect? Because it is mutual. Tommy can go places that Superman cannot and vice versa. They both live in the same world and they both try to live according to the same basic rules but their lives have turned out very different. Whenever I see a version of the “Man of Steel” that does not work for me I think of what would have happened if Jor-El had landed that rocket gracefully outside of St. Killian’s orphanage in the heart of the Cauldron.

Tommy’s my favorite character to come out of the 90s not wearing a blue hoodie. Ennis made sure I knew what kind of beer, whiskey, and movies he enjoyed. His latter day love interest hightailed it to New York to bother the Punisher, after ruining Kyle Rayner’s Most Momentous Team-Up. His supporting cast is as robust as any of the Major Characters’ in any of their heydays and he once had Lobo sodomized. Hitman’s not just one of the best series to come out of the 90s (having read most of them I feel comfortable making that statement), it is an intensely personal drama with the budget of a Summer Blockbuster and zombie baby seals.

The foulest crime "The Gentry" have committed is keeping Tommy from a cameo in "The Just."
The foulest crime “The Gentry” have committed is keeping Tommy from a cameo in “The Just.”
Hitman07
Pat. Hacken. Ringo. Sean. There’s a book called “Star-Spangled War Stories Featuring G.I. Zombie” out now and yet these guys are no where to be found.

If you have not read it you could do worse than to check it out. If nothing else, one collection, no matter which, is probably going to be more rewarding than anything with Axis on the cover.

The Golden Age #4-Bravery When Battling The Enemy Within…

Ah, the end.

There’s something so bittersweet about the end.  We’ve been keeping up with The Golden Age here at The Unspoken Decade, and this tremendous tale is drawing to an end.  Despite its dour nature, despite how dark everything has been for our heroes, one cannot help but feel like the sun is about to come out and shine brightly upon this age.

Unfortunately, as we all know, it’s always darkest before the dawn, and for some of the Justice Society, it’s going to get so dark that the sun will never shine again.  For others, this will be a new beginning. For the readers, we will get both, as it’s going to be the end of something Golden and the start of something Silver.

All new births must hurt, though, as we are all well aware, and the birthing of the Silver Age would be no different, as the Golden Age’s death throes echo in me to this day.  The final issue of The Golden Age is a sort of perfect amalgam of pain and beauty, chaos and stability, and hope and despair.  One thing is for sure as we start off this issue: things don’t look good for the JSA right now.

The Golden Age #4 - Page 2

That’s correct, as we told you last time, American hero, Tex Thompson, Senator and WW2 Hero, is really the Ultra-Humanite.  The comic has thus far shied away from telling you who is in Daniel Dunbar’s body, and we will save that reveal for you as well, but you know that if they are only hinting then whoever it is must be rather dastardly…

The problem is that no one will listen to the JSA.  I see this happen all of the time in our real world.  Despite evidence that shows that this behavior is counterproductive, folks are always very willing to simply kowtow to leaders and pundits.  Folks seem ever so eager to believe the biggest and smallest of lies, provided that they are uttered from “official” sources.  Those that question or peruse “unofficial” sources are marginalized as quickly as is possible.  It’s fascinating to see the JSA in such dire straits, as they are usually portrayed and perceived as the elder statesmen of the DC Universe.  In fact, in one of my prior articles here at the Unspoken Decade, I mention that even Superman revered these guys.  To see them on the opposite side is fascinating!

The first few issues of this fantastic mini-series dealt with the character of the JSA and their Golden Age pals.  This issue is no different,  as the few heroes in possession of this secret are testing their own character in order to forge some sort of plan that would give them a of chance against Ultra-Humanite and Daniel Dunbar…

The Golden Age #4 - Page 4

The HUAC continues to dog Alan Scott as well, and as the government and country that he has held so dearly continues its hideous assault against him and his character, his character deepens, thrives, and becomes as strong as steel.  No committee, whether it was the committees we established here in the USA to witch hunt the different people we dared not attempt to understand, nor a communist pogrom would have had the ability to pierce the spectacular moral fortitude Alan Scott possesses.

All that matters to Alan Scott is what is right and just.  All that matters to Alan Scott is that he stand up for it.  All that matters to Alan Scott should be all that matters to us…

The Golden Age #4 - Page 5

In my regular life, many people have seen me stand up many times against oppressive forces.  Obviously, I never stared down a committee like HUAC, but many times, I have stood up to entities that looked to hold me, my family, my co-workers, or my society down.

In my case though, any dirt on my adversaries that I got, I was more than happy to use.  The moral fiber of Alan Scott is truly tough, as I think very few would face the committee as head-on as he plans too.

Of course, the challenges and obstacles we all face are never the same.  Just as Alan Scott stands poised and ready to face HUAC with a most noble streak, Libby Lawrence has her own cross to bear, but in her case, it is trying to find the courage to break free of something bad.

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Vices and people with vices can easily get a hold on any of us.  In Libby’s case, she allowed herself to become complacent and to submerge her dreams as her boyfriend, Jonathan Law (Tarantula) has drowned his and tried to beat hers out of her.  She’s finding the courage to not just break apart from Law, but to also say yes to herself.  Too many of us never find that courage.  In his defense, Law is sorry and is finding courage of his own, but it seems to be too little, too late…

In the meantime, the heroes gather, as they always do.  From the moment I found myself hopelessly in love with the garishly colored superheroes, I have been a sucker for the moments when all the heroes gather together and stand around in their costumes, moments before uniting to combat a threat to the world, the galaxy, the universe, or reality itself.  These are the times when we naturally see the heroes as people rather than just a bunch of loud costumes with a bunch of powers.  These are the times, much like us, when pals get together, and just like us, those times for the heroes seem to be fleeting and rare, and the gatherings only occur during the best and the worst of times.

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Of course, one of the most special things about superheroes, and the mystery men of the Second World War is that they represent hope for the future.  The future is always happening, even when folks aren’t aware of it yet.  Here, we see the unbridled ambition of youth, that devil-may-care spirit, and that eagerness that youth has to prove itself so that it can belong, and we see it in the form of an as yet to be named Superhero that none of the other folks have heard of yet.  That matters little to him; what matters is that he has a place to belong, even if many of the others don’t quite realize it yet.

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I think at one point we were all that young man.  We were all so angry, so eager, so dejected, so determined, and since I was young in the 90’s, so EXTREME.  What we all now know, and what this young man will soon learn, is that maybe we should not be in such a hurry to grow up.  Growing up means hard choices, facing tragedies, and never really knowing or understanding why your life goes the way that it does.  Many of the heroes assembled here are going to be wondering what happened shortly, as a force of nature is about to upend their entire status quo, as it does for many of us adults.

In the meantime, the heroes with the skinny on what is actually going down with the Ultra-Humanite are beginning to put their plan into motion.  One of them, however, calls an audible.  One of them had decided she just hasn’t done enough to thwart this plan.  One of them is going to jumpstart the plan on her own.  One of them won’t survive her gambit, although she certainly inspires many of her fellow heroes to take up arms against their oppressor.

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American culture is jazz and baseball, although I think we have to add in pro wrestling and superheroes as well.  These things are inherently ours.  We brought them to the world.  I know folks would like to believe in a lot more of what she said, but, well, as an anarchist, I think it is a pipe dream.  The state is the state, whether it is called The USA, the USSR, the UAE, or Uganda.  We will see that even as our heroes expose the corruption of Thompson and how he is actually the Ultra-Humanite, that things will go along in a similar fashion, as the Joe McCarthy of this Earth rises to fill the vacuum Thompson leaves.  He will engage in the same red-baiting that Thompson did, just as McCarthy did on our Earth.  No nation, regardless of the ideals it purports to espouse, is immune from the power mongers and the need for the elites to maintain the status quo at the expense of the non-elite.

Robotman, as you see, has no qualms with this.  I love Robotman (especially the often-forgotten Golden Age Robotman), and it is a shame to see him make such a dastardly heel turn, although it makes perfect sense.  Robotman would be cold and efficient due to the dichotomy between his organic brain and his steel body, and one of the heroes most likely to buy into the law and order nonsense of those like Thompson or McCarthy.  So it is he who smashes Miss America in a vain attempt to silence her truth.  She dies; the truth lives on.

The government’s witch hunt against Alan Scott and others like him is continuing even as the Ultra-Humanite is being revealed.  Scott is defiant, and he, like me, has nothing but contempt for government apparatuses that are utilized to hold down those who would dare to be different and question the integrity of the powers-that-be.  I wonder if this cycle will ever stop.  Alan Scott and I both certainly hope so.

As he faces down those small-minded men, the mystery men go to war with Dunbar, and to say they did not fare well would be such an understatement…

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I have heard that the bright colored superheroes are like our gods and mythology, and there are few moments that reinforces that notion better than this one.  Here we see the gods rise up as they attempt to crush their challenges, but like many of the powers that would face a god, Dunbar is in possession of a nearly limitless power all his own.  We see Hawkman, Black Condor, and The Ray attempt to subdue Dunbar, and their story isn’t over.

Some gods stay grounded, looking in vain for advantages against overwhelming odds.  Some gods look for inspiration in  the Earth, the sky, or themselves, but some look for inspiration in the cold realm of vengeance…

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Robotman vs. Tigress seems a one-sided affair, but how could one not admire the vehemence with which Paula Brooks attacks the steel monstrosity in the name of vengeance for her friend?   Despite how Robotman just murdered her pal with nary a second thought, Tigress is displaying nerves of steel that despite being made of metal, Robotman could only wish he had.

The Ultra-Humanite, running low on cards in this high-stakes, high-powered game of poker, pulls a pair of kings. Just like all the demagogues of the ages, the Ultra-Humanite uses misdirection and manipulation to create rifts between friends and heroes.  Johnny Thunder and The Atom, recruits in the Ultra-Humanite’s wave of the future, have fallen victim to him and his lies.  Of course, who could blame them?  As the outcasts of the JSA, they felt like they found a place to belong under Ulta-Humanite, and so they fight.

They fight their own family, as families do on occasion.  Some would say families only stop fighting when they have someone else to fight, but here, even though the JSA has plenty on its hands now, The Atom and Johnny Thunder fight.  Thunder even commits an act so despicable that I find it shocking; his pet Thunderbolt finds it even more so…

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The family makes up and unites against a common foe, but certain parts of the family remain apart from the rest, engaging in the tasks that make others in the tribe cringe.  Vengeance once again shows up, as Paul Kirk finds Ultra-Humanite, and he is going to get revenge for his friend, Tex Thompson!

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Still the Tigress and Captain Triumph struggle against Robotman, searching for a way to honor their fallen friend, Miss America.  Captain Triumph also struggles against the ghost of his brother, and whether he wins or loses said struggle, is really up to the reader.  One thing is for sure, he wins the struggle with Robotman…

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Captain Triumph will no longer be bothered by his brother.  Other heroes attack Dunbar in waves, one at a time, or from afar.  None of it seems to matter, as the death toll climbs and climbs.  At least Captain Triumph and his brother won’t be lonely as Dunbar sends so many to greet them…

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Wouldn’t that be awful?  To see one’s moral opposite showing more courage than one’s self?  Especially if one was supposed to be a hero, and had looked down on his opposite with such disdain.  Surely, Alan Scott has no choice but to join the battle, because if he was willing to come out of retirement to stop Sportsmaster, now he has to come out to avenge his death…and to prove he has the courage he has been showing in standing up to HUAC, this time in another arena.

And it is a good thing he does arrive, as the heroes keep falling, including Johnny Quick.  Green Lantern hits Dunbar with a right fist that not only removes a few of Dunbar’s teeth, but it also instills something the JSA has lost a lot of very quickly…hope.

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Even Alan Scott falls, however, and the heroes last hope against Dunbar appears to be Starman, mental illness be damned. We see Johnny Quick rushing off to grab him above, and this echoes one of the best things about superheroes to me, which is that no matter how down things look, there’s always one last chance.  This is why so many sports appeal to me as well.  Your team’s down a touchdown with 0:03 on the clock?  Maybe they can hit that Hail Mary pass to the end zone.  Down one run in the 9th?  Maybe your team will score two.

The JSA is down a lot more than touchdown, however, and unfortunately, it will take more than the bipolar genius of Ted Knight to win this day…

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Just when it seems that all is lost, the forgotten weapon of this story, the young man who wanted to be a hero at the start of this tale, joins the fray, and while he may not be the one who delivers the killing blow, his demeanor in the face of what appeared to be absolute defeat lives on in the minds of his world.  For if only each and every one of us were to stand up to those whose tyranny we are told is inevitable.

And let’s not discount Liberty Belle and her role in the victory.  Her ingenuity and resourcefulness save the day, and isn’t that how it usually goes?  Youth, in combination with the defiance that goes along with it and the ingenuity of a lady with very few powers in comparison to many of the heavy hitters who had tackled Dunbar prior, saves the day.  More importantly, it saves the future…but you will have to get the book to see that and to see how Paul Kirk dealt with the Ultra-Humanite.

The Golden Age is unfairly overlooked.  I truly wish that these characters and their reality were as embraced as other critical darlings of the era, such as Kingdom Come or Marvels.  I wish that with all of the hullabaloo at DC right now in regards to their “Multiversity” that Grant Morrison or someone of that ilk would look back to The Unspoken Decade for a universe that is ever so real and hurtful in so many ways, with so many delightful characters to incorporate into “Greater DC.”

Or they could at least bring Dynaman back.

You’re doing yourself a tremendous disservice  if you do not go buy this right now. This is truly a masterpiece. If this had come out in 1985 or 2005, it would be revered.  Since it came out in the 90’s, it is tossed aside and possibly even reviled.  That’s more than a damn shame, as James Robinson and Paul Smith truly capture the horror, wonder, and charm that is superheroes.  Perhaps, that’s the same horror, wonder, and charm that is America…